Gita 9.8
Raja Vidya Raja Guhya Yoga
पŕĽŕ¤°ŕ¤ŕĽŕ¤¤ŕ¤żŕ¤ सŕĽŕ¤ľŕ¤žŕ¤Žŕ¤ľŕ¤ˇŕĽŕ¤ŕ¤ŕĽŕ¤Ż ािसŕĽŕ¤ŕ¤žŕ¤Žŕ¤ż पŕĽŕ¤¨ŕ¤ पŕĽŕ¤¨ŕ¤ ༤ ŕ¤ŕĽŕ¤¤ŕ¤ŕĽŕ¤°ŕ¤žŕ¤Žŕ¤Žŕ¤żŕ¤Žŕ¤ ŕ¤ŕĽŕ¤¤ŕĽŕ¤¸ŕĽŕ¤¨ŕ¤Žŕ¤ľŕ¤śŕ¤ पŕĽŕ¤°ŕ¤ŕĽŕ¤¤ŕĽŕ¤°ŕĽŕ¤ľŕ¤śŕ¤žŕ¤¤ŕĽ ༼
prakáštiáš svÄm avaᚣášabhya visášjÄmi punaḼ punaḼ | bhĹŤta-grÄmam imaáš káštsnam avaĹaáš prakášter vaĹÄt ||
In essence: Wielding My own nature as an artist wields a brush, I paint forth all beings again and again - they follow nature's law helplessly, while I remain the free Creator behind the canvas.
A conversation between a seeker and guide to help you feel this verse deeply
Sadhak-Guru Dialogue
Sadhak: "This verse disturbs me. If beings are created 'helplessly,' without choice, how is that fair? Are we just puppets?"
Guru: "Are the characters in your dream unfairly treated when you dream them into existence? Did you consult them before giving them their roles?"
Sadhak: "That's different - they're not real. They're just... projections of my mind."
Guru: "And what if I told you that's exactly what beings are to the cosmic Dreamer? Not 'unreal' in the sense of worthless, but not separately real either. The sense of being a helpless separate creature IS the dream. Waking up reveals there was only ever One - and You are That."
Sadhak: "But I don't feel like the cosmic Dreamer. I feel very much like a helpless creature subject to forces beyond my control!"
Guru: "Of course - the dream character feels like a dream character. The question is: who is aware of this feeling of helplessness? That awareness - is IT helpless?"
Sadhak: "I... don't know. Awareness seems to just watch. It doesn't seem to be in trouble."
Guru: "Exactly. The 'helplessness' belongs to the mind-body organism caught in prakášti's flow. Awareness itself - your true Self - is what Krishna calls the one who 'presides over' prakášti. You have mistaken yourself for what you observe."
Sadhak: "So I'm not the helpless creature - I'm the awareness watching a helpless creature?"
Guru: "Even more precisely: you're the awareness in which the entire show of 'helpless creatures' and 'controlling forces' appears. The puppet, the strings, AND the puppeteer are all within you. You are the stage, the light, and the seeing that makes the play possible."
Sadhak: "If I'm truly free, why don't I experience freedom?"
Guru: "Because attention is absorbed in the drama. It's not that you lack freedom - you're freely choosing to watch the show so intently that you forgot you're in a theater. This teaching is the usher tapping your shoulder: 'Remember where you are. Remember what you are.'"
Sadhak: "What changes when I remember?"
Guru: "The show continues - prakášti keeps playing. But you watch as the free one, not the bound one. Same movie, different viewer. Or rather, you recognize you were always the free viewer, temporarily hypnotized by a compelling film."
Did this resonate with you? Share it with someone who needs to hear this.
đ Daily Practice
Before the day begins, recognize the forces that will move you today: biological needs (hunger, fatigue), psychological patterns (habits, preferences), social conditioning (expectations, roles). These are prakášti operating through the body-mind. Say to yourself: 'The organism will be moved by nature's forces today. I am the awareness watching this movement.' This doesn't mean being passive but acting from recognition rather than reaction - letting awareness illuminate each moment rather than being dragged unconsciously by conditioning.
When you catch yourself feeling helpless - overwhelmed by circumstances, controlled by emotions, pushed by deadlines - pause and investigate: 'Who is feeling helpless?' The body-mind is indeed subject to forces. But the one NOTICING the helplessness - is that one trapped? Use the day's challenges as practice opportunities. Each time prakášti's control is felt, it's a chance to recognize the one who knows that control, who is prior to it, untouched by it.
Review the day asking: 'Where did I act from identification with prakášti (reactively, compulsively, unconsciously)? Where did I act from awareness (responsively, freely, consciously)?' No judgment - both happened as they had to. But the very act of reviewing builds discrimination. Close with the recognition: 'Today's entire play - my helplessness and my efforts, my failures and successes - all appeared in awareness. Tomorrow, awareness will witness a new play. I am that awareness, not any character in the play.'